Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


In a stack of resumes, there are a handful of certain recurring words. Wrangler is not one of them. Maybe because cowboys never found a way to fuse their experience in the Great American West with corporate infrastructure or maybe because lassos have simply lost their practicality in an urban world. Either way, I am one of the few people who can claim this title. No, I am not a cowboy-  I am a Child Wrangler at San Francisco Opera. What does that mean exactly? It means I guide child performers on and off stage throughout rehearsals and performances at the opera. I have been in this position  for the past four seasons and have been held responsible for as few as four and as many as 40 children ranging from age 6 to 17. Some are seasoned veterans of the stage and some are complete novices. My job is to ensure their safety while they are in the building and, mostly, try to keep them focused, safe, and professional. Sometimes this is an easy task and sometimes, a nearly impossible one.

Posted: 06/29/2012 by Samantha McCurry (Child Wrangler)


It may only appear in one short scene at the beginning of the opera, but unquestionably one of the stars of every production of The Magic Flute is the serpent that pursues Prince Tamino and is ultimately killed by the Three Ladies. Because our new hi-tech Magic Flute production is so heavily based on projections and digital images (8 projectors!), you might assume that the serpent chasing poor Tamino would simply be an image projected on the wall--but designer Jun Kaneko had a different idea! [Left: Jun Kaneko's design drawing of Tamino facing the two-headed snake]
Posted: 05/22/2012 by San Francisco Opera


San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


San Francisco Opera's Media Department works tirelessly to capture and produce the best and most stirring moments on stage. Below is a blog post from Media Coordinator and Assistant Video Director Jessica Shown-Morgan on her recent trip to see the co-production of Moby Dick at San Diego Opera. Moby Dick makes its Bay Area premiere at San Francisco Opera on October 10, 2012.



Posted: 03/27/2012 by Jessica Shown-Morgan (Assistant Video Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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