Nixon in China is one of a handful of operas that mean the most to me. I first heard Nixon when I was at Dartmouth College in the spring of '94 during an opera survey class. The professor only played the "News" aria, but that was all I needed to hear, I was hooked. I instantly bought the recording and played it all day every day and when I finally got the score many years later, it revealed a whole new dimension to the music that I could finally play and sing to myself.
 
Posted: 05/30/2012 by Joseph Marcheso, (Rehearsal Conductor, Nixon in China)


San Francisco Opera’s Assistant Principal Violinist Beni Shinohara shares her experience working in San Francisco Opera and the San Francisco Ballet Orchestras.





Posted: 04/20/2012 by Beni Shinohara (Assistant Principal Second Violin)


As we prepare for the opening of Nixon in China on June 8, we started thinking about the year the opera takes place: 1972. It was a year of many firsts for women, a lot of violence in Northern Ireland, the birth of the video game, the Watergate scandal and when President Nixon visited China. Read on for a timeline of fun facts to impress your friends with from that fateful year.




Posted: 04/09/2012 by Sheeda Jamsheed (Marketing Associate)


Why in the world would a 95-year-old-lady, doddering along with a cane, be asked to share her thoughts about the intricate world of opera? Because if you’ve traveled the world, as I have, to see 63 complete Ring cycles and countless other operas besides, you want the world to know why you’re so passionate about opera and why it’s so important to keep this priceless art form thriving. Opera has enriched my life beyond measure, and my financial support of San Francisco Opera—including my legacy gift—will help enrich the lives of others in the coming years.

Posted: 03/12/2012 by Verna Parino, Bel Canto member


Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.

Posted: 01/24/2012 by Lauré Campbell, Orchestra Librarian


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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