On July 5, 26,000 opera fans gathered at AT&T Park to watch our eighth live simulcast: La Traviata. While tweeting during performances is discouraged in the Opera House, at the Ballpark, anything goes. 






Posted: 07/25/2014 by San Francisco Opera


On Saturday, July 5, 2014 at 8 p.m., we're heading back to San Francisco's stunning AT&T ballpark for a free live simulcast of Verdi’s La Traviata. On a recent sunny afternoon, La Traviata cast member Zanda Švēde and San Francisco Giants shortstop Brandon Crawford met at the ballpark for a fun promotional photo shoot. The two donned their respective attire—Zanda in her Flora costume and Brandon in his Giants uniform—and posed for cameras on the field and in the Giants’ dugout at AT&T Park. The photos highlight the lasting partnership of two iconic San Francisco institutions—the San Francisco Giants and San Francisco Opera. We just couldn't be happier to be joining together again to bring this unique free community event to the Bay Area. We've been able to bring world class opera to nearly 197,000 people through our free live simulcasts these last nine years. Let's take a look back at how it all started, shall we?
Posted: 05/08/2014 by San Francisco Opera


One of San Francisco Opera's favorite stage directors is Jose Maria Condemi. Along with being a frequent contributor to the San Francisco Opera stage, Jose Maria is also Artistic Director at Opera Santa Barbara and an advocate for young artists. This fall he directed Puccini's formidable "Tosca" staring not one, but two alternating casts in the production. Amid his busy schedule, Jose Maria took some time to answer our Five Questions. Take a read and see how one handles breathing new life into old productions, advice for young performances and where to get great BBQ in San Francisco.
Posted: 11/27/2012 by San Francisco Opera


How did you come to work on Moby-Dick and what was the early process?

We were getting ready to premiere Three Decembers in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick. It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.

I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by Leonard Foglia (Director, Moby-Dick)


"I quite enjoy trying to understand the personality of the performer." –Harry Silverstein, Rigoletto Stage Director






Posted: 09/24/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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