Incest. Dragons. Bastard sons. Unexpected love stories. Girls disguised as boys. Why, George R.R. Martin took more than one page from opera when he created his epic series Game of Thrones! And so as we eagerly anticipate the premiere of season 4 on Sunday night, we at San Francisco Opera give you 15 Ways Opera is like Game of Thrones: 


Posted: 04/02/2014 by San Francisco Opera


Just like the rest of the world, we here at San Francisco Opera are anxiously awaiting the return of "Arrested Development" on Sunday. And so, in honor of this momentous occasion, we looked back at the life and times of the family Bluth and put together 14 ways that opera is like "Arrested Development."

COME ON! In opera...



Posted: 05/24/2013 by San Francisco Opera


This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


One of San Francisco Opera's favorite stage directors is Jose Maria Condemi. Along with being a frequent contributor to the San Francisco Opera stage, Jose Maria is also Artistic Director at Opera Santa Barbara and an advocate for young artists. This fall he directed Puccini's formidable "Tosca" staring not one, but two alternating casts in the production. Amid his busy schedule, Jose Maria took some time to answer our Five Questions. Take a read and see how one handles breathing new life into old productions, advice for young performances and where to get great BBQ in San Francisco.
Posted: 11/27/2012 by San Francisco Opera


How did you come to work on Moby-Dick and what was the early process?

We were getting ready to premiere Three Decembers in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick. It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.

I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by Leonard Foglia (Director, Moby-Dick)


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Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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