For thirty-five years I’ve maintained that the classic works of the American Musical Theater are fit to be in the repertoire of opera houses. In many ways they ARE our opera. Many were composed for “legit,” unamplified voices, with sizable choruses, orchestras and dancers.
Posted: 02/20/2012 by
David Gockley (General Director)
We announced our long-awaited 2012–13 season yesterday and even though we are still over 7 months away from our next opening night, we are all getting quite excited about what is in store. You can read complete repertory and casting information here, but for a bit of insight into the highlights of the season, read on to hear what General Director David Gockely is looking forward to the most!
Posted: 01/18/2012 by
David Gockely (General Director)
While working on Bizet’s Carmen I found myself reflecting on the topic of “encounter with difference”—unlikely relationships that form between non-like-minded people—and pondering both the attraction and violence those experiences can generate. Both Carmen and Don José are members of marginalized minority populations in 19th-century Spain: she is a gypsy and he is a Basque.
Posted: 12/12/2011 by
Jose Maria Condemi (Director, Carmen)