How did you come to work on Moby-Dick and what was the early process?
We were getting ready to premiere Three Decembers
in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick.
It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.
I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick
, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by
Leonard Foglia (Director, Moby-Dick)
"I quite enjoy trying to understand the personality of the performer." –Harry Silverstein, Rigoletto
Posted: 09/24/2012 by
San Francisco Opera
Last Saturday, the audience for Verdi’s Rigoletto
at the Opera House was joined by a few extra viewers, as some 27,000 fans packed AT&T Park for the annual Opera at the Ballpark simulcast. Despite the cold and some competing events (the Giants at Arizona, Stanford at USC) judging from the Twitter stream
it looked like a lot of people enjoyed the opera, the ballpark, and a night out with friends.
Posted: 09/19/2012 by
San Francisco Opera
You might recall that back in May we announced our first ever ‘Snap and Post to Win’ contest. The concept was (and is) simple: If you’re out being your fabulous self, attending an opera performance, we want to see you at our Photo Corner! If you share your photo with us, you’ll be entered in drawings for two fabulous prizes!
Posted: 09/06/2012 by
San Francisco Opera Social Media
While working on Bizet’s Carmen I found myself reflecting on the topic of “encounter with difference”—unlikely relationships that form between non-like-minded people—and pondering both the attraction and violence those experiences can generate. Both Carmen and Don José are members of marginalized minority populations in 19th-century Spain: she is a gypsy and he is a Basque.
Posted: 12/12/2011 by
Jose Maria Condemi (Director, Carmen)