This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


One of San Francisco Opera's favorite stage directors is Jose Maria Condemi. Along with being a frequent contributor to the San Francisco Opera stage, Jose Maria is also Artistic Director at Opera Santa Barbara and an advocate for young artists. This fall he directed Puccini's formidable "Tosca" staring not one, but two alternating casts in the production. Amid his busy schedule, Jose Maria took some time to answer our Five Questions. Take a read and see how one handles breathing new life into old productions, advice for young performances and where to get great BBQ in San Francisco.
Posted: 11/27/2012 by San Francisco Opera


How did you come to work on Moby-Dick and what was the early process?

We were getting ready to premiere Three Decembers in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick. It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.

I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by Leonard Foglia (Director, Moby-Dick)


"I quite enjoy trying to understand the personality of the performer." –Harry Silverstein, Rigoletto Stage Director






Posted: 09/24/2012 by San Francisco Opera


Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.

Posted: 09/14/2012 by Arturo Chacon-Cruz


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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