When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen
my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot
as one of the soldiers.
Posted: 11/28/2011 by
Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)
I think I have something to the effect of 125 minutes between my last exit in Act 1 and my entrance in Act 3. If you haven’t done the math yet, that’s about 2 hours. Realistically, except for all the previews, I could probably catch a movie and be back in time for my Act 3 aria.
Waiting for Act 3, that’s the challenge of this role. I know, cue the violins. But let’s talk about this. Part of what has been so interesting about taking on this role is figuring out how to manage my time.
Posted: 11/22/2011 by
Sara Gartland (Micaela, Carmen)
I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier
in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by
Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)
Opera designer and director John Pascoe created the designs for this fanciful and opulent production of Donizetti's Lucrezia Borgia in 2008 with Washington National Opera and Renee Fleming.
With the opening of our third opera of the season less than a week away, we decided to whet your appetite with John Pascoe's gorgeous costume sketches for this production, which marks the first time we have ever ever presented the opera in our history.
Posted: 09/19/2011 by
John Pascoe (Director & Designer, Lucrezia Borgia)
Costume designer Jess Goldstein took on a big job when he signed on to design the many costumes for the world premire of Heart of a Soldier. The opera spans six decades and four continents. Just the soldiers alone must be outfitted in gear appropriate for World War II, early 1960s Rhodesia and the Vietnam War. The main characters, Rick Rescorla, his best friend Dan Hill and his wife Susan Rescorla, are not mythical characters but real people--Dan and Susan will be attending this opera when it opens on September 10. To find inspiration for the look of each of the main character's costumes as well as the various locations and time periods depicted, Jess assembled a collection of design inspiration boards. Read on to see the images that inpired each of the costumes seen in Heart of a Soldier.
Posted: 08/17/2011 by
Jess Goldstein (Costume Desinger, Heart of a Soldier)