It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
We cannot wait to unveil our brand new production of The Magic Flute
, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
Posted: 04/18/2012 by
San Francisco Opera
Jun Kaneko, renowned Japanese-American visual artist, is the Production Designer for our new production of
The Magic Flute, opening June 13, 2012. His ceramic, bronze, and glass sculptural work and two-dimensional artwork appears in numerous international solo and group exhibitions annually and is included in approximately fifty museum collections. He has realized almost thirty public art commissions in the United States and Japan. His previous opera productions were
Madama Butterfly for Opera Omaha (2007) and
Fidelio for the Opera Company of Philadelphia (2008).
Posted: 03/06/2012 by
Jun Kaneko (Production Designer, The Magic Flute)
While working on Bizet’s Carmen I found myself reflecting on the topic of “encounter with difference”—unlikely relationships that form between non-like-minded people—and pondering both the attraction and violence those experiences can generate. Both Carmen and Don José are members of marginalized minority populations in 19th-century Spain: she is a gypsy and he is a Basque.
Posted: 12/12/2011 by
Jose Maria Condemi (Director, Carmen)
Carmen and I have spent the last two months together. Interesting, since she never stays in one relationship that long… I started rehearsals as the cover in the French Carmen and continued with Carmen for Families. I am Israeli, playing a Spanish Gypsy, in a French opera, sung in English. Confused? Me too!
Posted: 12/01/2011 by
Maya Lahyani (Carmen, Carmen for Families)