On Saturday, November 9, we hosted our 2nd free Community Open House, featuring fun events and activities for all ages. It's such a joy to open the doors of the beautiful War Memorial Opera House to droves of people who may have never even been inside before. The 2013 Open House included many diverse presentations and opportunities to connect with opera in new ways, including onstage musical demonstrations; sing-alongs with the San Francisco Opera Chorus and San Francisco Opera Adler Fellows; stage combat workshops; costume, wig and makeup demonstrations; a costume photo booth; an opportunity to meet San Francisco Opera General Director David Gockley; and family activities throughout the opera house lobbies including a scavenger hunt, prop-making, costume crafts, and more, with workshops designed for both adults and families. 
Posted: 11/18/2013 by San Francisco Opera


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." 
 
Our upcoming production of Falstaff features the San Francisco Opera debut of Italian baritone Fabio Capitanucci in the role of Ford, and is also the first time since 1995 that Welsh bass-baritone Bryn Terfel will have graced the War Memorial stage (he was last seen in a gala concert for Charles Mackerras). In addition to these stars, the rest of the Falstaff cast is comprised of incredibly talented artists who have recently appeared on our stage.

For today's photo blog, we highlight each of the artists in Falstaff who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where. [All photos by Cory Weaver.]

Posted: 10/02/2013 by San Francisco Opera


Opera is frequently called the most grand of the performing arts, and our production of Mephistopheles is grand opera at its grandest! From the over 300 costumes, the thousands of jewels, and even the number of naked bodies you’ll see onstage, it is an amazing production that demonstrates just how big opera can be. And how many skilled craftsmen, artisans, employees, and artists it takes to make it this grand!

In today’s blog post we highlight just a small fraction of the numbers of interesting things you’ll see onstage when you see our dazzling production of Mephistopheles. For example:

Posted: 09/09/2013 by San Francisco Opera


Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”

Constance and I set out to source the Mary Magdalene textiles, armed with a stack of research books: The Jewish Wardrobe, published by The Israel Museum in Jerusalem, The History of Jewish Costume by Alfred Rubens, Roman Clothing and Fashion by Alexandra Croom; The World of Roman Costume by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus (a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by Christopher Verdosci


The Secret Garden premiere is just around the corner and to whet your appetite even more, we've decided to delve a little deeper into painter and video artist Naomie Kremer's designs for the show. Read on to see a selection of Naomie's storyboards showing plans for the set and projections as well as costume sketches by costume designer Kristi Johnson.

Additionally, Cal Performances met up with Naomie for a walk through her Bay Area art studio. The resulting video shows her process from concept to finished product. We think you'll be surprised what has gone into creating the backdrop for this exciting new opera!  
Posted: 02/08/2013 by Naomie Kremer (Visual Designer, The Secret Garden)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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