We cannot wait to unveil our brand new production of The Magic Flute, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
 
Posted: 04/18/2012 by San Francisco Opera


As we prepare for the opening of Nixon in China on June 8, we started thinking about the year the opera takes place: 1972. It was a year of many firsts for women, a lot of violence in Northern Ireland, the birth of the video game, the Watergate scandal and when President Nixon visited China. Read on for a timeline of fun facts to impress your friends with from that fateful year.




Posted: 04/09/2012 by Sheeda Jamsheed (Marketing Associate)


Jun Kaneko, renowned Japanese-American visual artist, is the Production Designer for our new production of The Magic Flute, opening June 13, 2012. His ceramic, bronze, and glass sculptural work and two-dimensional artwork appears in numerous international solo and group exhibitions annually and is included in approximately fifty museum collections. He has realized almost thirty public art commissions in the United States and Japan. His previous opera productions were Madama Butterfly for Opera Omaha (2007) and Fidelio for the Opera Company of Philadelphia (2008).
Posted: 03/06/2012 by Jun Kaneko (Production Designer, The Magic Flute)


I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)


Opera designer and director John Pascoe created the designs for this fanciful and opulent production of Donizetti's Lucrezia Borgia in 2008 with Washington National Opera and Renee Fleming.

With the opening of our third opera of the season less than a week away, we decided to whet your appetite with John Pascoe's gorgeous costume sketches for this production, which marks the first time we have ever ever presented the opera in our history.

Posted: 09/19/2011 by John Pascoe (Director & Designer, Lucrezia Borgia)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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