We cannot wait to unveil our brand new production of The Magic Flute
, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
Posted: 04/18/2012 by
San Francisco Opera
San Francisco Opera's Media Department works tirelessly to capture and produce the best and most stirring moments on stage. Below is a blog post from Media Coordinator and Assistant Video Director Jessica Shown-Morgan on her recent trip to see the co-production of Moby Dick at San Diego Opera. Moby Dick makes its Bay Area premiere at San Francisco Opera on October 10, 2012.
Posted: 03/27/2012 by
Jessica Shown-Morgan (Assistant Video Director)
Jun Kaneko, renowned Japanese-American visual artist, is the Production Designer for our new production of
The Magic Flute, opening June 13, 2012. His ceramic, bronze, and glass sculptural work and two-dimensional artwork appears in numerous international solo and group exhibitions annually and is included in approximately fifty museum collections. He has realized almost thirty public art commissions in the United States and Japan. His previous opera productions were
Madama Butterfly for Opera Omaha (2007) and
Fidelio for the Opera Company of Philadelphia (2008).
Posted: 03/06/2012 by
Jun Kaneko (Production Designer, The Magic Flute)
It always surprises me how many people ask me if I work for the San Francisco Ballet during the off-season or assume that I am unemployed from the end of the last performance of the fall season until we load in for the summer season in May. I’m here to assure you that I don’t have any trouble keeping busy from December through April.
I always spend the first few weeks of December doing what I call, “picking up the pieces.” This means that I finally answer all those emails that I’ve been putting off because they required more research, and if I’m lucky can get the virtual in-box pared down from 500+ messages to less than 50 that still require some sort of action.
Posted: 02/09/2012 by
April Busch (Production Operations Director)
How many people does it takes to run a performance of Turandot
? More than you might think!
Posted: 11/23/2011 by
San Francisco Opera