Our production of Rigoletto was created back in 1997 by Michael Yeargan with costumes designed by Constance Hoffman. The costumes along with the sets are rich with color and drama, yet they also allude to the dark and sinister underbelly of the court.





Posted: 09/24/2012 by San Francisco Opera


Everyone knows that the opening night Opera Ball is a glamorous event full of flowers,  decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by San Francisco Opera


There was a palpable energy in the War Memorial Opera House air in the months leading up to The Magic Flute premiere on June 13. None of us could wait to see this new production full of bold, colorful scenery and costumes by internationally acclaimed artist Jun Kaneko. When Jun and his wife Ree visited San Francisco Opera's Props department and Costume Shop in March, it was the first time they saw Jun's sketches come to life.
Posted: 06/27/2012 by San Francisco Opera


An intriguing invitation was posted in this Tweet by SF Opera on May 29, 2012:“Are you an #opera curious power Tweeter? Apply for a Tweet Seat at dress rehearsal of Nixon in China, June 5, 2pm pls RT” When I read the tweet, I had already purchased my ticket to see Nixon in China on opening night. This unexpected invitation inspired me to see if I could use my iPad to capture my experience of Nixon in China and share my impressions with the SF Opera community and the Twitterverse.

Posted: 06/25/2012 by David Newman (artist and Nixon in China Tweeter)


It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute!

Posted: 06/20/2012 by Natalie Beier ("Super" Chick and Budding Costume Designer)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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