When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
On Thursday, September 27th, students from the School of Fashion at the Academy of Art University
in San Francisco had a unique and inspiring opportunity to go see the final dress rehearsal for The Capulets and the Montagues
at the War Memorial Opera House. The tragic Shakespeare play has such iconic characters but this production was something completely new and like nothing I had ever seen, including the stunning costumes by world-renowned fashion designer Christian Lacroix.
Posted: 10/12/2012 by
Lita Teplitz (AAU Fashion Design Student)
Our production of Rigoletto
was created back in 1997 by Michael Yeargan with costumes designed by Constance Hoffman. The costumes along with the sets are rich with color and drama, yet they also allude to the dark and sinister underbelly of the court.
Posted: 09/24/2012 by
San Francisco Opera
There was a palpable energy in the War Memorial Opera House air in the months leading up to The Magic Flute
premiere on June 13. None of us could wait to see this new production full of bold, colorful scenery and costumes by internationally acclaimed artist Jun Kaneko. When Jun and his wife Ree visited San Francisco Opera's Props department and Costume Shop in March, it was the first time they saw Jun's sketches come to life.
Posted: 06/27/2012 by
San Francisco Opera
It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)