Making his San Francisco Opera debut with The Magic Flute
this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.
Posted: 07/02/2012 by
Nixon in China
is one of a handful of operas that mean the most to me. I first heard Nixon
when I was at Dartmouth College in the spring of '94 during an opera survey class. The professor only played the "News" aria, but that was all I needed to hear, I was hooked. I instantly bought the recording and played it all day every day and when I finally got the score many years later, it revealed a whole new dimension to the music that I could finally play and sing to myself.
Posted: 05/30/2012 by
Joseph Marcheso, (Rehearsal Conductor, Nixon in China)
Did you see Joyce DiDonato this past Saturday in the Met’s cinema presentation of The Enchanted Isla
nd? I have seldom seen such perfection as was evident in every aspect of her performance. Joyce has now arrived at the pinnacle of her profession.
Posted: 01/25/2012 by
David Gockley (General Director)
Inexplicable things happen to me in London. Several years ago I made an early morning visit to Westminster Abbey, that great reliquary of historical memory, and found it almost empty and utterly silent, a rare state for one of the world’s great tourist magnets. I intended to spend a few quiet moments at the memorial stone of my favorite composer, George Frideric Handel (1685–1759), the great German-born composer, Italian-trained, and rightly claimed by England as their own.
Posted: 11/11/2011 by
Patrick Summers (Conductor, Xerxes)