We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." 
 
Our upcoming production of Falstaff features the San Francisco Opera debut of Italian baritone Fabio Capitanucci in the role of Ford, and is also the first time since 1995 that Welsh bass-baritone Bryn Terfel will have graced the War Memorial stage (he was last seen in a gala concert for Charles Mackerras). In addition to these stars, the rest of the Falstaff cast is comprised of incredibly talented artists who have recently appeared on our stage.

For today's photo blog, we highlight each of the artists in Falstaff who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where. [All photos by Cory Weaver.]

Posted: 10/02/2013 by San Francisco Opera


With the arrival of the newest member of the British royal family, we here at San Francisco Opera decided to take a look at the members of nobility seen throughout opera to see what kind of lessons they could impart to the world's newest prince. Compiled here are a selection of lessons from twelve of our favorite operas that we think will serve the future king well.

Young prince, remember...
Posted: 07/23/2013 by San Francisco Opera


On Friday, May 17 the San Francisco Opera Orchestra along with Music Director Nicola Luisotti will cross the twinkling Bay Bridge for a rare concert at UC Berkeley’s Zellerbach Hall. The program includes music by Puccini and Brahams, and a Piano Concerto by Italian composer Nino Rota, performed by Giuseppe Albanese.
Posted: 04/17/2013 by San Francisco Opera


Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene in June and Dolores Claiborne in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges. 
Posted: 01/22/2013 by Kip Cranna, Director of Music Administration


When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.

 

Posted: 10/22/2012 by Joseph Marcheso (Assistant Conductor, Moby-Dick)


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Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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