5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.

 

Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)


It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute!

Posted: 06/20/2012 by Natalie Beier ("Super" Chick and Budding Costume Designer)


When we found out that San Francico Opera Chorus Member Elisabeth Rom's brother is Set Designer Erhard Rom for Nixon in China, we immediately asked her to write a blog post. So glad we did! Elisabeth shares how she became a chorus member at SF Opera (with a little help from her brother) and how with their busy schedules they still make time for family.



Posted: 05/21/2012 by Elisabeth Rom


When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot as one of the soldiers.
Posted: 11/28/2011 by Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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