An intriguing invitation was posted in this Tweet by SF Opera
on May 29, 2012:“Are you an #opera curious power Tweeter? Apply for a Tweet Seat at dress rehearsal of
Nixon in China, June 5, 2pm pls RT”
When I read the tweet, I had already purchased my ticket to see Nixon in China
on opening night. This unexpected invitation inspired me to see if I could use my iPad to capture my experience of Nixon in China
and share my impressions with the SF Opera community and the Twitterverse.
Posted: 06/25/2012 by
David Newman (artist and Nixon in China Tweeter)
“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.
For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.
Posted: 06/21/2012 by
Tess Uriza Holthe (Super, Nixon in China)
It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
"You're on!": two of the most thrilling and nerve-wracking words you will ever hear in the English language as a cover (or understudy). In my opinion, covering can be compared with thrill-seeking sports like bungee or base jumping. You must be prepared at a moment's notice to go onstage and perform. During this summer season at San Francisco Opera, I am covering two VERY different roles: Madame Mao from John Adams' Nixon in China
and The Queen of the Night from Mozart's The Magic Flute
Posted: 06/18/2012 by
Susannah Biller (Soprano)
Frank Zamacona had already enjoyed a long career in television directing and producing before he began working with San Francisco Opera. He has produced and directed over 100 entertainment specials and series' distributed by PBS, The Discovery Channel, ABC, HGTV and Link TV. Some of Frank's most memorable credits include creating and producing
Comedy Tonight, a public television series that ran for 10 years; and his work on
The Grateful Dead Movie and
Closing of Winterland: The Grateful Dead. Since 2007, Frank Zamacona has been video director for San Francisco Opera's Grand Opera Cinema Series, AT&T Ballpark simulcasts and OperaVision nights at the opera. He sits down to tell us a little bit about himself in this video blog.
Posted: 06/15/2012 by
Frank Zamacona (Video Director)