Our 2014-15 season opening weekend was a whirlwind of activity, from the opening night gala featuring Bellini’s Norma, to the opening performance of Susannah on Saturday, with the free Opera in the Park concert as a grand finale on Sunday.  Here’s a visual wrap-up culled from the hundreds of social media posts from artists and audience members.



Posted: 09/08/2014 by San Francisco Opera


Maestro Patrick Summers, Principal Guest Conductor of San Francisco Opera and Artistic and Music Director of Houston Grand Opera, has been associated with SFO since his participation in the Merola Opera Program in the late 1980s. Since then, he has led a vast repertory of productions for the Company, including Ariodante; Samson et Dalila; Iphigénie en Tauride; Il Trittico, Xerxes; the world premieres of André Previn’s A Streetcar Named Desire (1998), Jake Heggie’s Dead Man Walking (2000), and Christopher Theofanidis and Donna Di Novelli’s Heart of a Soldier (2011); and the West Coast premiere of Heggie’s Three Decembers (2008) as well as Moby-Dick (2012). Recently, Maestro Summers took the time to answer our questions about Wagner, his enduring relationship with SFO, and how he balances his many diverse responsibilities.

Posted: 10/23/2013 by San Francisco Opera


We continue our in-depth profiles of our Adler Fellows this week with second year coaching fellow Robert Mollicone. Originally from East Greenwich, Rhode Island, Robert completed both his undergraduate and graduate studies at Boston University's College of Fine Arts where he assisted on productions there, as well as the Boston University Tanglewood Institute. After completing his studies he was a member of the Spectrum Resident Artist Program at Virginia Opera and the Domingo-Cafritz Young Artist Program at the Washington National Opera. He was a participant in the 2011 Merola Opera Program. As an Adler Fellow, Robert has assisted on productions including The Magic Flute, Nixon in China, Moby-Dick, and The Secret Garden as well as productions with the Merola Opera Program. He has also worked with Boston Lyric Opera, Opera North, and the Baltimore Symphony. 
Posted: 03/15/2013 by San Francisco Opera


On Saturday November 10, San Francisco Opera opened the doors of the War Memorial Opera house and welcomed thousands of Bay Area residents and visitors to our first ever Community Open House! Presented in celebration of our 90th Season and the opening of the opera house 80 years ago, this completely free event was geared towards opera lovers and newbies of all ages. Activities ranged from crafts, temporary tattoos and sing-alongs to musical performances, technical demonstrations and screenings of Carmen for Families--The Movie! One of the most popular highlights of the day was the costume photo booth where guests were able to try on actual San Francisco Opera costumes and pose for photos taken by a professional photographer. From the moment lines began to form around the block in the morning to the moment the last person walked out the door, we were overwhelmed by the response from each and every one of you. Seeing every nook and cranny of this iconic building filled with smiling, energetic faces was truly a sight to behold! We think Gaetano Merola and the founders of San Francisco Opera would be thrilled to see all of you enjoying the fruits of their labors all these years later. All photos by Kristen Loken.


Posted: 12/11/2012 by San Francisco Opera


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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