Albanian tenor Saimir Pirgu knows a thing or two about Alfredo Germont—the dashing young man who falls in love with, is heart-broken by, reconnects with, and ultimately loses the love of his life. He has performed La Traviata around the world at many of the most important opera houses and opposite some of opera's most saught-after leading ladies as the fickle, beautiful and terminally ill courtesan Violetta. He returns to San Francisco Opera to perform the role with Nicole Cabell as Violetta and Vladamir Stoyanov as Giorgio Germont. What has Saimir learned from his many portrayals of Alfredo? We asked him 5 questions to find out.
Posted: 06/10/2014 by Saimir Pirgu (Alfredo, La Traviata)


Tomorrow evening our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

As the year draws to a close for our Adlers, we want to take a moment to highlight some of their key roles in 2013. The Adler Fellows truly are the rising stars of opera, and you can say “You saw them here first!”

Posted: 11/25/2013 by San Francisco Opera


It’s 6:54 pm and I’m warming up for the opening night of Falstaff; although not in the way one might imagine, scales and such. Instead, I’m doing lunges, hamstring stretches and sun salutations. Just as my muscles are loosening up comes a knock at the door from my (wonderful) makeup artist and the gears of the show begin to move. Soon “Places!” is called and I do one last stretch before I climb into my costume. If there’s one thing I’ve learned, it’s that Falstaff is an athletic event.

Posted: 10/11/2013 by Renée Rapier, mezzo-soprano


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." 
 
Our upcoming production of Falstaff features the San Francisco Opera debut of Italian baritone Fabio Capitanucci in the role of Ford, and is also the first time since 1995 that Welsh bass-baritone Bryn Terfel will have graced the War Memorial stage (he was last seen in a gala concert for Charles Mackerras). In addition to these stars, the rest of the Falstaff cast is comprised of incredibly talented artists who have recently appeared on our stage.

For today's photo blog, we highlight each of the artists in Falstaff who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where. [All photos by Cory Weaver.]

Posted: 10/02/2013 by San Francisco Opera


This Friday, San Francisco Opera will celebrate the opening of our 91st Season with a gala opening night like none other. Co-chaired by Ann Girard and Mai Shiver, San Francisco Opera Guild’s sold-out 2013 Opera Ball: The Garden of Good and Evil will be created by celebrity event designer Colin Cowie and will reflect the celestial and devilish themes of the evening’s performance––late 19th-century Italian composer Arrigo Boito’s Mefistofele.



Posted: 09/03/2013 by Colin Cowie, Opera Ball 2013 Designer


Displaying results 1-5 (of 14)
 |<  < 1 - 2 - 3  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS