San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by Frank Zamacona (Video Director)


For our new production of Don Giovanni the design requirement called for 22 large mirrors in ornate gilded frames. The mirrors all needed to be reflective to the audience but also see through, like mirrors in a police lineup room. The design intent was to have each of the mirror’s speed and position controlled independently. Below is one of 30 stunning renderings drawn by set designer Alessandro Camera.


Posted: 10/12/2011 by Marc Scott (Technical Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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