We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." 
 
Our upcoming production of Falstaff features the San Francisco Opera debut of Italian baritone Fabio Capitanucci in the role of Ford, and is also the first time since 1995 that Welsh bass-baritone Bryn Terfel will have graced the War Memorial stage (he was last seen in a gala concert for Charles Mackerras). In addition to these stars, the rest of the Falstaff cast is comprised of incredibly talented artists who have recently appeared on our stage.

For today's photo blog, we highlight each of the artists in Falstaff who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where. [All photos by Cory Weaver.]

Posted: 10/02/2013 by San Francisco Opera


With the arrival of the newest member of the British royal family, we here at San Francisco Opera decided to take a look at the members of nobility seen throughout opera to see what kind of lessons they could impart to the world's newest prince. Compiled here are a selection of lessons from twelve of our favorite operas that we think will serve the future king well.

Young prince, remember...
Posted: 07/23/2013 by San Francisco Opera


Have you seen the August issue of Opera News? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro]

Posted: 08/10/2012 by San Francisco Opera


My dear friend Barbara was an opera aficionado and was so delighted she felt well enough to attend the Ring cycle last year. Barbara had been fighting non-Hodgkin’s B lymphoma for over a year and after chemo and radiation, she was exhausted. Many times, she would tell me about the various operas she had experienced in different cities (New York, Philadelphia and San Francisco among others). We were making plans for me to attend my first opera with her when I developed a retroperitoneal liposarcoma (a large cancerous tumor) that needed surgery on October 19, 2011, and radiation starting in January.

Posted: 07/11/2012 by Adrienne Kristine (Opera Patron)


San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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