Many performing venues, from theaters to symphony halls to opera houses, are experimenting with inviting audience members to tweet their impressions during a live performance. The phenomenon of Tweet Seats is taking hold, with varying success and acceptance. We have been delighted with the Twitter activity during our Opera at the Ballpark performances, where the big space and relaxed atmosphere make it less distracting to see people focused on their small screens along with the big one.

Posted: 05/29/2012 by San Francisco Opera


It may only appear in one short scene at the beginning of the opera, but unquestionably one of the stars of every production of The Magic Flute is the serpent that pursues Prince Tamino and is ultimately killed by the Three Ladies. Because our new hi-tech Magic Flute production is so heavily based on projections and digital images (8 projectors!), you might assume that the serpent chasing poor Tamino would simply be an image projected on the wall--but designer Jun Kaneko had a different idea! [Left: Jun Kaneko's design drawing of Tamino facing the two-headed snake]
Posted: 05/22/2012 by San Francisco Opera


When we found out that San Francico Opera Chorus Member Elisabeth Rom's brother is Set Designer Erhard Rom for Nixon in China, we immediately asked her to write a blog post. So glad we did! Elisabeth shares how she became a chorus member at SF Opera (with a little help from her brother) and how with their busy schedules they still make time for family.



Posted: 05/21/2012 by Elisabeth Rom


Pretty much anyone can recognize an image by graphic artist Michael Schwab—even if you don’t know it yet. He has created award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Robert Redford, Sundance and Wells Fargo. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.

Posted: 05/16/2012 by Michael Schwab (Graphic Artist)


San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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