It always surprises me how many people ask me if I work for the San Francisco Ballet during the off-season or assume that I am unemployed from the end of the last performance of the fall season until we load in for the summer season in May. I’m here to assure you that I don’t have any trouble keeping busy from December through April.
I always spend the first few weeks of December doing what I call, “picking up the pieces.” This means that I finally answer all those emails that I’ve been putting off because they required more research, and if I’m lucky can get the virtual in-box pared down from 500+ messages to less than 50 that still require some sort of action.
Posted: 02/09/2012 by
April Busch (Production Operations Director)
Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.
Posted: 01/24/2012 by
Lauré Campbell, Orchestra Librarian
How many people does it takes to run a performance of Turandot
? More than you might think!
Posted: 11/23/2011 by
San Francisco Opera
My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto
was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th
floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by
Frank Zamacona (Video Director)
Tenor Joseph Frank sings the role of Emperor Altoum in
Turandot. Emperor Altoum is one million years old...and Joe Frank is not. It is makeup artist Timothy Santry's job to transform Joe before each performance of
Turandot into a million-year-old Chinese emperor. But well before the first performance back in September, preparations were being made for this complicated transformation. Tim Santry started the look by creating a custom prosthetic face to be worn as a base for the look. We were there to capture photos of the process.
Posted: 11/16/2011 by
Timothy Santry (Makeup Artist)