With the final performance of Madama Butterfly
on July 9, let's take a moment and rediscover how artist and production designer Jun Kaneko took his first foray into opera design. Below is an excerpt from his 2011 book.
One sunny afternoon in early Spring 2003, I received an invitation to fly with Madama Butterfly
. After a few months of consideration, I accepted and my journey designing scenery and costumes for Puccini’s Madama Butterfly
Posted: 07/02/2014 by
Jun Kaneko (Production Designer, Madama Butterfly)
When I first met Jun Kaneko, he was on a ladder with clay up to his elbows, working on a gigantic head. He joked that the piece might take two years to dry, and then he wouldn’t be able to say whether it would crack when it encountered the incredible heat of the kiln. I knew then that we would have a rich collaboration! As with one of Jun’s large clay pieces, we worked for over two years to create the world that was to be our Madama Butterfly.
It was an incredibly rich creative and collaborative process born out of deep respect for Puccini’s masterpiece and its resonance within Jun Kaneko’s beautiful and profound aesthetic vision.
Posted: 06/27/2014 by
Leslie Swackhamer (Director, Madame Butterfly)
is a member of our stage management staff. Jimmy joined the company in 2010 as a Rehearsal Assistant in the company's Rehearsal Department. Jimmy has been on the production staff as an Assistant Stage Manager for the 2013/14 Season and has worked on the productions Mefistofele
, Dolores Claiborne
, and this summer La Traviata
and Madame Butterfly
. He has also worked as an assistant stage manager and assistant stage director for Opera San Jose, Opera Omaha, Opera Santa Barbara, and Cal Performances. We sat down with Jimmy to discuss his work at SFO and to learn more about what it's like to be in the heat of the action backstage.
Posted: 06/13/2014 by
Jimmy Marcheso (Assistant Stage Manager)
Sex. Drama. Sabotage. Greed. Oh, and of course, amazing feats of athletic ability. You might not think that opera and the Winter Olympics have anything in common, but we here at San Francisco Opera beg to differ. As we quickly approach the opening of the 22nd Winter Olympics in Sochi, Russia, we give you 14 ways opera is like the Winter Olympics:
Posted: 02/03/2014 by
San Francisco Opera
Tomorrow evening our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
As the year draws to a close for our Adlers, we want to take a moment to highlight some of their key roles in 2013. The Adler Fellows truly are the rising stars of opera
, and you can say “You saw them here first!”
Posted: 11/25/2013 by
San Francisco Opera