Last Sunday San Francisco Opera invited a small group to attend and live tweet the final dress rehearsal of The Gospel of Mary Magdalene. The opera by Mark Adamo has its world premiere on Wednesday, June 19, so this was truly a first glimpse for the public.





Posted: 06/19/2013 by San Francisco Opera


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”

Constance and I set out to source the Mary Magdalene textiles, armed with a stack of research books: The Jewish Wardrobe, published by The Israel Museum in Jerusalem, The History of Jewish Costume by Alfred Rubens, Roman Clothing and Fashion by Alexandra Croom; The World of Roman Costume by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus (a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by Christopher Verdosci


Our next Adler Profile features tenor & first-year Adler Fellow A.J. Glueckert who hails from Portland, Oregon.  A.J. is a graduate of the San Francisco Conservatory of Music and is a former young artist at both Utah Festival Opera and Minnesota Opera.  He was a 2012 participant in the Merola Opera Program and is also a former Apprentice Artist at Santa Fe Opera.  His past performances include the role of Crown Prince in the world-premiere of Kevin Puts' Silent Night at Minnesota Opera and Opera Philadelphia; Mr. Owens in Argento's Postcard from Morocco for the Merola Opera Program; and the Drum Major in Berg's Wozzeck with Opera Parallèle.  He will make his San Francisco Opera debut this summer in the world-premiere production of Mark Adamo's The Gospel of Mary Magdalene (check out his feature profile on San Francisco Classical Voice here).  An avid sports fan, A.J. looks forward to rooting on the Portland Trailblazers and other Pacific Northwest teams throughout the season. 
Posted: 05/28/2013 by San Francisco Opera



Mark Adamo's new work is not the first theatrical production which has envisioned a powerful love duet between Jesus and Mary Magdalene.  Jules Massenet (best known for Manon and Thais) first came to prominence with his oratorio Marie Magdeleine, which views the last three days of Jesus's life from her perspective.

Posted: 05/23/2013 by Kayleen Asbo


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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