Have you seen the August issue of Opera News
? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News
predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro
Posted: 08/10/2012 by
San Francisco Opera
Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera. In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by
Robert Mollicone (1st Year Adler Coaching Fellow)
Making his San Francisco Opera debut with The Magic Flute
this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.
Posted: 07/02/2012 by
Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”
Posted: 03/28/2012 by
David Gockley (General Director)
Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.
Posted: 01/24/2012 by
Lauré Campbell, Orchestra Librarian