Tomorrow evening our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
As the year draws to a close for our Adlers, we want to take a moment to highlight some of their key roles in 2013. The Adler Fellows truly are the rising stars of opera
, and you can say “You saw them here first!”
Posted: 11/25/2013 by
San Francisco Opera
We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.
How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:
The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by
Timothy J. Muldoon (Volunteer Docent)
This Friday, San Francisco Opera will celebrate the opening of our 91st Season with a gala opening night like none other. Co-chaired by Ann Girard and Mai Shiver, San Francisco Opera Guild’s sold-out 2013 Opera Ball: The Garden of Good and Evil
will be created by celebrity event designer Colin Cowie and will reflect the celestial and devilish themes of the evening’s performance––late 19th-century Italian composer Arrigo Boito’s Mefistofele
Posted: 09/03/2013 by
Colin Cowie, Opera Ball 2013 Designer
American soprano Maria Kanyova made her San Francisco Opera debut in 2012 as Pat Nixon in John Adams's Nixon in China
. In this summer's world premiere The Gospel of Mary Magdalene
by Mark Adamo, Kanyova graced the War Memorial Opera House stage as Miriam—a performance the San Francisco Examiner
Posted: 07/12/2013 by
San Francisco Opera
"Okay, let's run it again from the same place," says our director Kevin Newbury. "Strong and wrong."
I've come to love that phrase. In rehearsals we have to give ourselves over to our impulses in the moment, to try different moods and reactions before we choose the best one. "The best idea wins," Kevin told us on the first day of rehearsals. Everyone is encouraged to contribute if they have an idea for the tone of a scene or a piece of stage business. But in order for an interesting dramatic moment to emerge, we have to be willing to take a chance that it might fail—"wrong"—and commit to it anyway—"strong." It frees us from the interference of our inner critics and editors and allows us to take our reactions to their most compelling place.
Posted: 07/08/2013 by
Stacey Tappan (Seeker and Girl, The Gospel of Mary Magdalene)