On a research trip to Amsterdam, Mary Magdalene scholar Kayleen Asbo, visited the Rijksmuseum, a national museum dedicated to the arts and history of the Netherlands. While there she stopped for a look at Jan Van Scorel's 16th century depiction of Mary Magdalene and sent us this summary.
Posted: 04/23/2013 by
When I heard San Francisco Opera had commissioned a new work
based on the story of Mary Magdalene, I immediately thought of a beautiful woman with long flowing red hair holding a perfume jar. You see, I was an art history major, and for anyone who has even a passing acquaintance with medieval or Renaissance art, the Magdalene is a familiar face.
During the Middle Ages, Mary Magdalene became an incredibly important devotional figure, second only to Mary, the mother of Jesus. Her past as a sinner made it easy for people to identify with her. (She came to be known as a prostitute, although this is apocryphal.) As the first to actually see Jesus after his resurrection, she could give wayward believers hope that they too could achieve that kind of personal experience with God.
Posted: 04/16/2013 by
Dolores DeStefano (Assistant Director of Education)
Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden
, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene
in June and Dolores Claiborne
in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges.
Posted: 01/22/2013 by
Kip Cranna, Director of Music Administration
This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
Posted: 11/28/2012 by
San Francisco Opera
In 1997, we unveiled a brand new production of Verdi's Rigoletto,
designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto
is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by
San Francisco Opera