"Okay, let's run it again from the same place," says our director Kevin Newbury. "Strong and wrong."
I've come to love that phrase. In rehearsals we have to give ourselves over to our impulses in the moment, to try different moods and reactions before we choose the best one. "The best idea wins," Kevin told us on the first day of rehearsals. Everyone is encouraged to contribute if they have an idea for the tone of a scene or a piece of stage business. But in order for an interesting dramatic moment to emerge, we have to be willing to take a chance that it might fail—"wrong"—and commit to it anyway—"strong." It frees us from the interference of our inner critics and editors and allows us to take our reactions to their most compelling place.
Posted: 07/08/2013 by
Stacey Tappan (Seeker and Girl, The Gospel of Mary Magdalene)
One of the most riveting scenes of Mark Adamo's opera The Gospel of Mary Magdalene
occurs when Peter is overcome with grief for having denied Jesus three times before his crucifixion.
As the stage is bathed in blood red light, Peter falls to his knees, wailing, "How many times will I remember this? Seven times seven?" This moment of anguish has inspired other composers to some of their most dramatic and poignant music as well.
Posted: 06/27/2013 by
Last Sunday San Francisco Opera invited a small group to attend and live tweet the final dress rehearsal of The Gospel of Mary Magdalene
. The opera
by Mark Adamo has its world premiere on Wednesday, June 19, so this was truly a first glimpse for the public.
Posted: 06/19/2013 by
San Francisco Opera
We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage.
This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.
Posted: 06/05/2013 by
San Francisco Opera
Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”
Constance and I set out to source the Mary Magdalene
textiles, armed with a stack of research books: The Jewish Wardrobe
, published by The Israel Museum in Jerusalem, The History of Jewish Costume
by Alfred Rubens, Roman Clothing and Fashion
by Alexandra Croom; The World of Roman Costume
by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus
(a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by