Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”

Constance and I set out to source the Mary Magdalene textiles, armed with a stack of research books: The Jewish Wardrobe, published by The Israel Museum in Jerusalem, The History of Jewish Costume by Alfred Rubens, Roman Clothing and Fashion by Alexandra Croom; The World of Roman Costume by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus (a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by Christopher Verdosci


Our next Adler Profile features tenor & first-year Adler Fellow A.J. Glueckert who hails from Portland, Oregon.  A.J. is a graduate of the San Francisco Conservatory of Music and is a former young artist at both Utah Festival Opera and Minnesota Opera.  He was a 2012 participant in the Merola Opera Program and is also a former Apprentice Artist at Santa Fe Opera.  His past performances include the role of Crown Prince in the world-premiere of Kevin Puts' Silent Night at Minnesota Opera and Opera Philadelphia; Mr. Owens in Argento's Postcard from Morocco for the Merola Opera Program; and the Drum Major in Berg's Wozzeck with Opera Parallèle.  He will make his San Francisco Opera debut this summer in the world-premiere production of Mark Adamo's The Gospel of Mary Magdalene (check out his feature profile on San Francisco Classical Voice here).  An avid sports fan, A.J. looks forward to rooting on the Portland Trailblazers and other Pacific Northwest teams throughout the season. 
Posted: 05/28/2013 by San Francisco Opera



Mark Adamo's new work is not the first theatrical production which has envisioned a powerful love duet between Jesus and Mary Magdalene.  Jules Massenet (best known for Manon and Thais) first came to prominence with his oratorio Marie Magdeleine, which views the last three days of Jesus's life from her perspective.

Posted: 05/23/2013 by Kayleen Asbo


Last fall, we here at San Francisco Opera were struck by how many connections existed between sights in our beloved Bay Area and the operas presented in our fall season. This inspired us to think about where the characters in our three summer operas – The Tales of Hoffmann, Cosi fan Tutte, and The Gospel of Mary Magdalene – might sightsee while they spent their time in the Bay. Where would E.T.A. Hoffmann go to drink his troubles away? In what seaside community would Mary of Magdala (a fishing town on the Sea of Galilee) feel most at home? And where would Cosi’s Ferrando and Guglielmo get their infamous beard disguises groomed?
Posted: 05/16/2013 by San Francisco Opera


Last fall, we here at San Francisco Opera were struck by how many connections existed between sights in our beloved Bay Area and the operas presented in our fall season. This inspired us to think about where the characters in our three summer operas – The Tales of Hoffmann, Cosi fan Tutte, and The Gospel of Mary Magdalene – might sightsee while they spent their time in the Bay. Where would E.T.A. Hoffmann go to drink his troubles away? In what seaside community would Mary of Magdala (a fishing town on the Sea of Galilee) feel most at home? And where would Cosi's Ferrando and Guglielmo get their infamous beard disguises groomed?

Posted: 05/13/2013 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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