Gioachino Rossini's comic and musical masterpiece, The Barber of Seville has long been a favorite of opera aficionados and novices. This opera has frequently made its way into television, movies, and commercials, so whether or not you've ever been to the opera house, you've surely heard a tune or two from The Barber of Seville.

With an ever fresh storyline that could be straight of a Hollywood romantic comedy and a magnificent score that includes a gorgeous overture and Figaro’s famous aria “Largo Al Factotum”, it’s no wonder that this piece continues to appear again and again in so many mediums.
Posted: 02/27/2015 by San Francisco Opera


Chong Wang joins us as an Adler Fellow from Shijiazhuang, Hebei, China. Mr. Wang studied at the Conservatory of the People’s Liberation Party in China, and has performed numerous roles at Beijing’s National Centre for the Performing Arts, including the Steersman (Der Fliegende Holländer), the Messenger (Aida), Dr. Caius (Falstaff), Ruiz (Il Trovatore), and Rodolphe (William Tell). Chong will join fellow Adlers Matthew Stump, Zanda Svede, and Jacqueline Piccolino in an upcoming Schwabacher Debut Recital with famed pianist and coach, Martin Katz! 
Posted: 02/25/2015 by San Francisco Opera


We're excited to welcome Daniel Knapp, our new Director of Production, to the San Francisco Opera family. We had the opportunity to sit down and ask him a few questions about his career in opera and his new home in San Francisco! Enjoy!





Posted: 02/20/2015 by San Francisco Opera


In writing Die Meistersinger von Nürnberg, Wagner turned to Johann Christoph Wagenseil’s 1697 historical study, Buch von der Meister-Singer holdseligen Kunst Anfang (Book of the Mastersingers’ Fair Art), for the basis of his libretto. He even used the names of real Nuremberg master singers, the titles of actual songs, the rules for song competitions, the list of mistakes/penalties and various technical expressions in and throughout his opera. 

One of the most striking moments from Die Meistersinger von Nürnberg, however, was based on an early masterwork from Wagner's own cannon—Tristan und Isolde...

Posted: 02/20/2015 by San Francisco Opera


Matthew Stump is a first year Adler Fellow from Goshen, Indiana. He holds a Bachelors degree from Luther College, and also studied at the University of North Texas before joining San Francisco Opera. Learn more about Matthew's hobbies, aspirations, and his insights regarding the opera industry, as well as some sincere advice for young singers. Catch Matthew singing with fellow Adler Fellows Jacqueline Piccolino, Zanda Svede, and Chong Wang in a Schwabacher Debut Recital on March 15th with renowned coach and pianist, Martin Katz. 


Posted: 02/16/2015 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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