With the arrival of the newest member of the British royal family, we here at San Francisco Opera decided to take a look at the members of nobility seen throughout opera to see what kind of lessons they could impart to the world's newest prince. Compiled here are a selection of lessons from twelve of our favorite operas that we think will serve the future king well.

Young prince, remember...
Posted: 07/23/2013 by San Francisco Opera


Last Saturday, the audience for Verdi’s Rigoletto at the Opera House was joined by a few extra viewers, as some 27,000 fans packed AT&T Park for the annual Opera at the Ballpark simulcast. Despite the cold and some competing events (the Giants at Arizona, Stanford at USC) judging from the Twitter stream it looked like a lot of people enjoyed the opera, the ballpark, and a night out with friends.


Posted: 09/19/2012 by San Francisco Opera


You might recall that back in May we announced our first ever ‘Snap and Post to Win’ contest. The concept was (and is) simple: If you’re out being your fabulous self, attending an opera performance, we want to see you at our Photo Corner! If you share your photo with us, you’ll be entered in drawings for two fabulous prizes!



Posted: 09/06/2012 by San Francisco Opera Social Media


Inexplicable things happen to me in London. Several years ago I made an early morning visit to Westminster Abbey, that great reliquary of historical memory, and found it almost empty and utterly silent, a rare state for one of the world’s great tourist magnets. I intended to spend a few quiet moments at the memorial stone of my favorite composer, George Frideric Handel (1685–1759), the great German-born composer, Italian-trained, and rightly claimed by England as their own.

Posted: 11/11/2011 by Patrick Summers (Conductor, Xerxes)


Kyle Brisby is a supernumerary in our current production of Handel's Xerxes. As one of several Super Wardens, he is required to silently walk, act and even move furniture around the stage with perfect timing. Of particular importance to this production, Kyle must look exactly identical to his other Super Wardens--all wearing black costumes with entirely white, bald heads. Photographer Michael Harvey took pictures of the entire process as makeup artist Lisa Patnoe transforms Kyle Brisby from a 21st century guy into a truly SUPER warden.
Posted: 11/08/2011 by Kyle Brisby (Super Warden, Xerxes)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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