Thursday evening we open Puccini’s Tosca. This dazzling and passionate production has a long history with the Company and the War Memorial Opera House. Eighty years ago in 1932 the War Memorial building opened and became the home of San Francisco Opera. The first performance in the new venue was none other than Tosca. Can you blame us for feeling a bit sentimental?



Posted: 11/14/2012 by San Francisco Opera


Beginning November 16, Mark Delavan will grace the War Memorial Opera House stage as Scarpia in Tosca. Before his arrival to San Francisco, Mr. Delavan took the time to answer some questions for us. What are his pre-performance rituals? What craft (besides singing, of course) does he have a passion and talent for? Read on to find out!



Posted: 11/12/2012 by Mark Delavan (Scarpia, Tosca)


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


In 1997, we unveiled a brand new production of Verdi's Rigoletto, designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by San Francisco Opera


Our production of Rigoletto was created back in 1997 by Michael Yeargan with costumes designed by Constance Hoffman. The costumes along with the sets are rich with color and drama, yet they also allude to the dark and sinister underbelly of the court.





Posted: 09/24/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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