Everyone knows that the opening night Opera Ball is a glamorous event full of flowers,  decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by San Francisco Opera


Last Thursday on August 16th, the San Francisco Opera's BRAVO! Club officially kicked off the 21th Annual Opening Gala under the glitz and glamor of the CODE Salon and The Factory Label. Over 150 BRAVO! Gala ticket holders and their guests were invited to celebrate this year's Gala in style.





Posted: 08/20/2012 by Amy Higgins (BRAVO Board Member)


While working on Bizet’s Carmen I found myself reflecting on the topic of “encounter with difference”—unlikely relationships that form between non-like-minded people—and pondering both the attraction and violence those experiences can generate. Both Carmen and Don José are members of marginalized minority populations in 19th-century Spain: she is a gypsy and he is a Basque.




Posted: 12/12/2011 by Jose Maria Condemi (Director, Carmen)


Carmen and I have spent the last two months together. Interesting, since she never stays in one relationship that long… I started rehearsals as the cover in the French Carmen and continued with Carmen for Families. I am Israeli, playing a Spanish Gypsy, in a French opera, sung in English. Confused? Me too!




Posted: 12/01/2011 by Maya Lahyani (Carmen, Carmen for Families)


When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot as one of the soldiers.
Posted: 11/28/2011 by Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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