Everyone knows that the opening night Opera Ball is a glamorous event full of flowers,  decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by San Francisco Opera

Last Thursday on August 16th, the San Francisco Opera's BRAVO! Club officially kicked off the 21th Annual Opening Gala under the glitz and glamor of the CODE Salon and The Factory Label. Over 150 BRAVO! Gala ticket holders and their guests were invited to celebrate this year's Gala in style.

Posted: 08/20/2012 by Amy Higgins (BRAVO Board Member)

Inexplicable things happen to me in London. Several years ago I made an early morning visit to Westminster Abbey, that great reliquary of historical memory, and found it almost empty and utterly silent, a rare state for one of the world’s great tourist magnets. I intended to spend a few quiet moments at the memorial stone of my favorite composer, George Frideric Handel (1685–1759), the great German-born composer, Italian-trained, and rightly claimed by England as their own.

Posted: 11/11/2011 by Patrick Summers (Conductor, Xerxes)

Kyle Brisby is a supernumerary in our current production of Handel's Xerxes. As one of several Super Wardens, he is required to silently walk, act and even move furniture around the stage with perfect timing. Of particular importance to this production, Kyle must look exactly identical to his other Super Wardens--all wearing black costumes with entirely white, bald heads. Photographer Michael Harvey took pictures of the entire process as makeup artist Lisa Patnoe transforms Kyle Brisby from a 21st century guy into a truly SUPER warden.
Posted: 11/08/2011 by Kyle Brisby (Super Warden, Xerxes)

As the lutenist in San Francisco Opera’s 2011 production of Xerxes, I play not only an unusual role in the orchestra, but also a number of unusual instruments not well known to many opera goers. While the traditional opera repertory is not often thought of as utilizing improvisation, baroque music has a rich history of it. Nowhere is this truer than in this production of Xerxes where the harpsichord and I make up what could essentially be called the rhythm section of the orchestra. We play from a bass line, much like what a cellist uses, but we have figured bass (numbers under the bass notes which tell us which harmonies to play) added to our parts. Similar to how a jazz pianist might accompany a song, both the harpsichord the lute family instruments play the harmony, which is improvised in keeping with musical content of the composer.
Posted: 11/05/2011 by Michael Leopold (Theorbo, Arch Lute and Baroque Guitar, Xerxes)

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Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.


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