I worked in the rehearsal department for three seasons and after leaving that position, I was prepared to do just about anything. I could spit out any one of a hundred phone numbers faster than you could pull out your iPhone. People marvel at that, and I marvel that they marvel. It was just second nature to me and anyone else who worked here. You have to be ready to do anything at a moment’s notice. During the 1989 earthquake, one of my co-workers was at the ER with a singer who had injured her ankle during a performance while the rest of us phoned all remaining artists to be certain everyone was OK. Thankfully, all were fine, and one of our mezzos even invited all of the other artists to her apartment for a chicken dinner. The very next morning we had set up camp at the Masonic Auditorium where we proceeded to perform a week’s worth of opera there in concert version.
Posted: 05/04/2012 by
Valentina Simi (Artist Services Coordinator & Assistant to the Musical Director)
Most people don’t spend their lives at the opera, although depending on the composer and the evening in question, it might seem that way. But I can say that I have been at the opera, actually in this building, 45 of my 49 years. No, I am not a phantom living in some part of the sub-basement near the stream that runs under the theatre. (Yes, there’s a stream and no, there are no people down there floating around in small boats wearing opulent costumes--at least not that we know of.)
Posted: 04/30/2012 by
Valentina Simi (Artist Services Coordinator and Assistant to the Music Director)
It's hard to believe how much has been going on this fall. All within the first three weeks of the season we managed to get three operas up and running (Turandot, Heart of a Soldier
and Lucrezia Borgia
); put on two fabulous galas--Opera Ball 2011: A Night in the Forbidden City
and Bravo! Club Opening Night Gala
; present the world premiere of a brand new opera; hold the City of San Francisco's official observance of the tenth anniversary of the September 11 attacks through a moving concert in Golden Gate Park; host Opera at the Ballpark at AT&T Park for the first time in daylight; and meanwhile launch our second series of television screenings on KQED 9. We are proud to be such an integral part of San Francisco's community and look forward to the rest of the 2011 fall season!
Posted: 10/11/2011 by
San Francisco Opera
10) Be thankful that I’m working with such talented Opera Ball Co-chairs, Anne Marie Massocca and Susan Tamagni. Together with the Opera Ball Committee and SF Opera Guild professional staff, we will surely plan an incredible evening for all!
9) From a practical perspective, select a gown by June so that I don’t need to shop during the summer. Ana Castillo of Neiman Marcus makes it easy! Frances Diniz of Wellendorff’s Boutique at Shreve & Co. is a great help with accessorizing.
Posted: 09/07/2011 by
Ann Girard (S.F. Opera Guild President)
Our 2011-12 Season opens on Friday, September 9 with Giacomo Puccini’s beloved opera Turandot
. But, before we get to the opera, the people need to eat! This year we celebrate the start of our 89th season with Opera Ball 2011—A Night in the Forbidden City
and Bravo! Club’s Opening Night Gala
. A decadent evening of celebration, these galas truly kick off the philanthropic season in San Francisco. And let’s not forget that amidst all the revelry, these events raise a whole lot of money to fund San Francisco Opera and the Opera Guild’s fantastic educational programs throughout Bay Area schools.
Posted: 08/26/2011 by
McCalls Catering (Opera Ball Caterers)