After a wildly successful role debut of Adalgisa at the Metropolitan Opera in the fall of 2013, Jamie Barton returns to the role this fall in our season opening production of Norma. Her San Francisco Opera debut has been similarly successful leaving critics raving that her performance was “a magnificent Company debut with gleaming vocal tone and emotional urgency” (San Francisco Chronicle). All successes aside, Barton’s charming personality shined in a brief interview excerpted below. Enjoy!

Posted: 09/16/2014 by Jamie Barton (Adalgisa, Norma)


Our 2014-15 season opening weekend was a whirlwind of activity, from the opening night gala featuring Bellini’s Norma, to the opening performance of Susannah on Saturday, with the free Opera in the Park concert as a grand finale on Sunday.  Here’s a visual wrap-up culled from the hundreds of social media posts from artists and audience members.



Posted: 09/08/2014 by San Francisco Opera


When I first met Jun Kaneko, he was on a ladder with clay up to his elbows, working on a gigantic head. He joked that the piece might take two years to dry, and then he wouldn’t be able to say whether it would crack when it encountered the incredible heat of the kiln. I knew then that we would have a rich collaboration! As with one of Jun’s large clay pieces, we worked for over two years to create the world that was to be our Madama Butterfly. It was an incredibly rich creative and collaborative process born out of deep respect for Puccini’s masterpiece and its resonance within Jun Kaneko’s beautiful and profound aesthetic vision.

Posted: 06/27/2014 by Leslie Swackhamer (Director, Madame Butterfly)


A life on the road can get lonely from time to time. Brian Jagde, our Pinkerton in this summer's Madame Butterfly, is no exception to the rule. Thankfully he has his trusty companian Cav with him where ever he goes! Brian most recently appeared on the San Francisco Opera stage in our 2012 production of Tosca. Where has Brian and Cav been since? Let's find out in our Operatic Doggie Diary!


Posted: 06/18/2014 by Brian Jagde (Pinkerton, Madame Butterfly)


Incest. Dragons. Bastard sons. Unexpected love stories. Girls disguised as boys. Why, George R.R. Martin took more than one page from opera when he created his epic series Game of Thrones! And so as we eagerly anticipate the premiere of season 4 on Sunday night, we at San Francisco Opera give you 15 Ways Opera is like Game of Thrones: 


Posted: 04/02/2014 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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