When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
How did you come to work on Moby-Dick and what was the early process?
We were getting ready to premiere Three Decembers
in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick.
It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.
I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick
, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by
Leonard Foglia (Director, Moby-Dick)
Last Sunday, a few intrepid tweeters braved the (not so bad) traffic of one of the busiest weekends
in San Francisco history to post their impressions of the final dress rehearsal of Jake Heggie and Gene Scheer's Moby-Dick
before tonight's Bay Area premiere.
Posted: 10/10/2012 by
San Francisco Opera
You could say I’m a reader. I’m the person who HAS to read the book before seeing the movie. I am a card-carrying member of not one, but two book clubs – one focusing on classics, and the other on sci-fi/fantasy novels. Yes, I really am that dorky. And if my geek flag wasn’t waving high enough already, I literally squealed with delight when I first learned we would be co-producing an opera based on the classic Moby-Dick
. In the words of one international man of mystery: This was my bag, baby.
Posted: 10/09/2012 by
Kristen Jones (Senior Leadership Gifts Officer)
Everyone knows that the opening night Opera Ball is a glamorous event full of flowers, decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by
San Francisco Opera