Last Sunday, a few intrepid tweeters braved the (not so bad) traffic of one of the busiest weekends
in San Francisco history to post their impressions of the final dress rehearsal of Jake Heggie and Gene Scheer's Moby-Dick
before tonight's Bay Area premiere.
Posted: 10/10/2012 by
San Francisco Opera
You could say I’m a reader. I’m the person who HAS to read the book before seeing the movie. I am a card-carrying member of not one, but two book clubs – one focusing on classics, and the other on sci-fi/fantasy novels. Yes, I really am that dorky. And if my geek flag wasn’t waving high enough already, I literally squealed with delight when I first learned we would be co-producing an opera based on the classic Moby-Dick
. In the words of one international man of mystery: This was my bag, baby.
Posted: 10/09/2012 by
Kristen Jones (Senior Leadership Gifts Officer)
Much like baseball fans, we here at San Francisco Opera count down the days until the opening of the Fall 2012 opera season. But as we were strolling around the City, enjoying the last days of summer, we realized that San Francisco was practically tailor-made for the five fall operas. We found so many connections between our beloved city and the fall season that we had to share them!
Posted: 08/24/2012 by
San Francisco Opera
Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera. In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by
Robert Mollicone (1st Year Adler Coaching Fellow)
Making his San Francisco Opera debut with The Magic Flute
this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.
Posted: 07/02/2012 by