How did you come to work on Moby-Dick and what was the early process?
We were getting ready to premiere Three Decembers
in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick.
It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.
I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick
, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by
Leonard Foglia (Director, Moby-Dick)
Last Sunday, a few intrepid tweeters braved the (not so bad) traffic of one of the busiest weekends
in San Francisco history to post their impressions of the final dress rehearsal of Jake Heggie and Gene Scheer's Moby-Dick
before tonight's Bay Area premiere.
Posted: 10/10/2012 by
San Francisco Opera
You could say I’m a reader. I’m the person who HAS to read the book before seeing the movie. I am a card-carrying member of not one, but two book clubs – one focusing on classics, and the other on sci-fi/fantasy novels. Yes, I really am that dorky. And if my geek flag wasn’t waving high enough already, I literally squealed with delight when I first learned we would be co-producing an opera based on the classic Moby-Dick
. In the words of one international man of mystery: This was my bag, baby.
Posted: 10/09/2012 by
Kristen Jones (Senior Leadership Gifts Officer)
Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.
Posted: 09/14/2012 by
Planning for Opera in the Park begins a full year ahead of the event. The first (and maybe most important) step happens the day after the previous year’s concert, when we call San Francisco Rec & Park to reserve our date.
Posted: 09/10/2012 by
Jeremy Patfield (Production Administrative Assistant)