It’s 6:54 pm and I’m warming up for the opening night of Falstaff; although not in the way one might imagine, scales and such. Instead, I’m doing lunges, hamstring stretches and sun salutations. Just as my muscles are loosening up comes a knock at the door from my (wonderful) makeup artist and the gears of the show begin to move. Soon “Places!” is called and I do one last stretch before I climb into my costume. If there’s one thing I’ve learned, it’s that Falstaff is an athletic event.

Posted: 10/11/2013 by Renée Rapier, mezzo-soprano


Today, pianist Robert Mollicone shares some reflections about his second and last season as an Adler Fellow. After completing his undergraduate and graduate studies at Boston University's College of Fine Arts, Robert was a member of the Spectrum Resident Artist Program at Virginia Opera and the Domingo-Cafritz Young Artist Program at the Washington National Opera. He was a participant in the 2011 Merola Opera Program. As an Adler Fellow, Robert has assisted on productions including The Magic Flute, Nixon in China, Moby-Dick, and The Secret Garden as well as productions with the Merola Opera Program. He has also worked with Boston Lyric Opera, Opera North, and the Baltimore Symphony. This season, he made his conductiong debut with San Francisco Opera at Opera in the Park in September, served as prompter for the world premiere of Dolores Claiborne, and will serve on the music staff of The Flying Dutchman. Below are his thoughts on his first time as a prompter and his first time conducting the San Francisco Opera Orchestra.

Posted: 10/11/2013 by San Francisco Opera


Our next Adler Profile features a native of Kiamusze, China: tenor Chuanyue Wang.  A first-year Adler Fellow and graduate of the 2012 Merola Opera Program, Chuanyue is an operatic star in his native China having won numerous talent competition awards including first prize in the Chinese Culture Ministry’s WenHua Competition, the Mandova Competition, the China International Vocal Competition, and the Chinese National Young TV Singers Competition. Prior to his Adler Fellowship, Chuanyue graduated from China’s Central Music Conservatory. This season, Chuanyue made his debut on the War Memorial Opera House Stage as Wagner & Nereo in Boito's Mefistofele and is also covering the role of Fenton in Falstaff.
Posted: 09/20/2013 by San Francisco Opera


Korean Baritone, Joo Won Kang, is a second-year Adler Fellow and made his San Francisco Opera debut as the Second Priest in Mozart's The Magic Flute in 2012.   Joo Won has since been seen on the War Memorial Opera House Stage as Captain Gardiner in Heggie's Moby-Dick, Marullo in Verdi's Rigoletto, and as a Noble in Wagner's Lohengrin.  He was most recently seen as Hermann in this past summer's Tales of Hoffmann.  Prior to his Adler Fellowship, Joo Won was a member of the Young Artist Program at Florida Grand Opera where he sang the role of Giorgio Germont in Verdi's La Traviata and the Duke of Verona in Gounod's Roméo et Juliette. Joo Won will be seen this upcoming fall in the role of Figaro in 'Barber of Seville for Families' in a special English translation on November 24 and 30.     
Posted: 08/19/2013 by San Francisco Opera


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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