The Secret Garden premiere is just around the corner and to whet your appetite even more, we've decided to delve a little deeper into painter and video artist Naomie Kremer's designs for the show. Read on to see a selection of Naomie's storyboards showing plans for the set and projections as well as costume sketches by costume designer Kristi Johnson.

Additionally, Cal Performances met up with Naomie for a walk through her Bay Area art studio. The resulting video shows her process from concept to finished product. We think you'll be surprised what has gone into creating the backdrop for this exciting new opera!  
Posted: 02/08/2013 by Naomie Kremer (Visual Designer, The Secret Garden)


This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


For Los Altos-raised soprano Talise Trevigne, performing the role of Pip, the 14 year-old cabin boy, in Moby-Dick is the ultimate homecoming. We asked Trevigne five questions about her unique experiences on the Pequod and about being back in the Bay Area for this landmark production.





Posted: 11/01/2012 by Talise Trevigne (Pip, Moby-Dick)


It is not surprising that many people assume Herman Melville wrote his classic novel Moby-Dick on Nantucket, a small island off the coast of Cape Cod in Massachusetts. It is, after all, the setting for much of the book, home port to the Pequod and home to many of the story’s most central characters. But in reality, Melville never set foot on the island before Moby-Dick was published in 1851. He wrote the book at a secluded farm in Pittsfield, Massachusetts, over 100 miles from the nearest large body of water.

An excerpt from the Berkshire Historical Society explains:

Posted: 10/30/2012 by The Berkshire Historical Society


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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