This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


One of San Francisco Opera's favorite stage directors is Jose Maria Condemi. Along with being a frequent contributor to the San Francisco Opera stage, Jose Maria is also Artistic Director at Opera Santa Barbara and an advocate for young artists. This fall he directed Puccini's formidable "Tosca" staring not one, but two alternating casts in the production. Amid his busy schedule, Jose Maria took some time to answer our Five Questions. Take a read and see how one handles breathing new life into old productions, advice for young performances and where to get great BBQ in San Francisco.
Posted: 11/27/2012 by San Francisco Opera


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


Tenor Brandon Jovanovich is no stranger to San Francsico Opera audiences. But in recent years, we have seen him transition from singing Puccini (Pinkerton in 2007's Madama Butterfly and Luigi in 2009's Il Tabarro) to Wagner (Siegmund and Froh in 2011's Ring cycle). In his biggest assignment with the Company yet, Jovanovich is currently singing his role debut as the title role of Wagner's Lohengrin. We asked Brandon a few questions about Lohengrin, his fellow cast members and his favorite things to do in San Francisco.

Posted: 11/06/2012 by Brandon Jovanovich (Lohengrin, Lohengrin)


How did you come to work on Moby-Dick and what was the early process?

We were getting ready to premiere Three Decembers in Houston (2008) and very close to the end of the process when Jake and Gene approached me about Moby-Dick. It was impossible for me to say no the challenge of staging Moby Dick, but even harder to pass up the opportunity to work with Jake and Gene again. Nothing had been written at that point, so I was part of the project from the very beginning and the three of us worked through it as a team.

I work on a lot of new pieces, and I’m often with them from the start. In this particular process with Moby-Dick, we all found our way through this massive book together, looking at it from three distinct points of view: Gene the words, Jake the music, and me concentrating on the structure of the story.
Posted: 10/18/2012 by Leonard Foglia (Director, Moby-Dick)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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