Last Sunday, a few intrepid tweeters braved the (not so bad) traffic of one of the busiest weekends in San Francisco history to post their impressions of the final dress rehearsal of Jake Heggie and Gene Scheer's Moby-Dick before tonight's Bay Area premiere.




Posted: 10/10/2012 by San Francisco Opera


Much like baseball fans, we here at San Francisco Opera count down the days until the opening of the Fall 2012 opera season. But as we were strolling around the City, enjoying the last days of summer, we realized that San Francisco was practically tailor-made for the five fall operas. We found so many connections between our beloved city and the fall season that we had to share them!



Posted: 08/24/2012 by San Francisco Opera


In a stack of resumes, there are a handful of certain recurring words. Wrangler is not one of them. Maybe because cowboys never found a way to fuse their experience in the Great American West with corporate infrastructure or maybe because lassos have simply lost their practicality in an urban world. Either way, I am one of the few people who can claim this title. No, I am not a cowboy-  I am a Child Wrangler at San Francisco Opera. What does that mean exactly? It means I guide child performers on and off stage throughout rehearsals and performances at the opera. I have been in this position  for the past four seasons and have been held responsible for as few as four and as many as 40 children ranging from age 6 to 17. Some are seasoned veterans of the stage and some are complete novices. My job is to ensure their safety while they are in the building and, mostly, try to keep them focused, safe, and professional. Sometimes this is an easy task and sometimes, a nearly impossible one.

Posted: 06/29/2012 by Samantha McCurry (Child Wrangler)


It may only appear in one short scene at the beginning of the opera, but unquestionably one of the stars of every production of The Magic Flute is the serpent that pursues Prince Tamino and is ultimately killed by the Three Ladies. Because our new hi-tech Magic Flute production is so heavily based on projections and digital images (8 projectors!), you might assume that the serpent chasing poor Tamino would simply be an image projected on the wall--but designer Jun Kaneko had a different idea! [Left: Jun Kaneko's design drawing of Tamino facing the two-headed snake]
Posted: 05/22/2012 by San Francisco Opera


San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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