Much like baseball fans, we here at San Francisco Opera count down the days until the opening of the Fall 2012 opera season. But as we were strolling around the City, enjoying the last days of summer, we realized that San Francisco was practically tailor-made for the five fall operas. We found so many connections between our beloved city and the fall season that we had to share them!
Posted: 08/24/2012 by
San Francisco Opera
How many people does it takes to run a performance of Turandot
? More than you might think!
Posted: 11/23/2011 by
San Francisco Opera
My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto
was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th
floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by
Frank Zamacona (Video Director)
Tenor Joseph Frank sings the role of Emperor Altoum in
Turandot. Emperor Altoum is one million years old...and Joe Frank is not. It is makeup artist Timothy Santry's job to transform Joe before each performance of
Turandot into a million-year-old Chinese emperor. But well before the first performance back in September, preparations were being made for this complicated transformation. Tim Santry started the look by creating a custom prosthetic face to be worn as a base for the look. We were there to capture photos of the process.
Posted: 11/16/2011 by
Timothy Santry (Makeup Artist)
Last night my husband Jet and I went to see and hear the San Francisco Opera’s production of Giacomo Puccini’s “Turandot.” It was the late composer’s last musical work, brilliant, intense and complicated. What followed for us was both a revelation and an epiphany that made us shine a light on our own musicianship.
Posted: 11/03/2011 by
Paula DeFries (First time opera-goer)