This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


Tenor Brandon Jovanovich is no stranger to San Francsico Opera audiences. But in recent years, we have seen him transition from singing Puccini (Pinkerton in 2007's Madama Butterfly and Luigi in 2009's Il Tabarro) to Wagner (Siegmund and Froh in 2011's Ring cycle). In his biggest assignment with the Company yet, Jovanovich is currently singing his role debut as the title role of Wagner's Lohengrin. We asked Brandon a few questions about Lohengrin, his fellow cast members and his favorite things to do in San Francisco.

Posted: 11/06/2012 by Brandon Jovanovich (Lohengrin, Lohengrin)


By now most of you realize that the Opera is celebrating its 90th season of producing opera in the Bay Area. Let’s use the occasion to take a brief backward look at the highlights of this extraordinary institution.

In June of 1922, Italian immigrant conductor Gaetano Merola held the first season of his new opera company at the Stanford football stadium in Palo Alto. This initial success led to the founding of the San Francisco Opera and the Company moved to downtown San Francisco, settling in what is now called the Bill Graham Civic Auditorium, and for two seasons at the Dreamland Auditorium.


Posted: 10/03/2012 by David Gockley (General Director)


In 1997, we unveiled a brand new production of Verdi's Rigoletto, designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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