Dreaming of your San Francisco Opera mainstage debut? Here’s your chance! On April 4 and 5, we will be holding auditions for a number of supporting roles in our summer production of Show Boat
! If your singing chops are not as great as your acting chops - no problem! We are seeking non-singing male and female actors for the roles listed below in this beloved work by Jerome Kern and Oscar Hammerstein II. Stage parents take note: we’re also searching for girls between the ages of 7-11 who can sing and act for the role of “Young Kim” an integral role in the show and the perfect opportunity for the next broadway baby! You just might find yourself onstage with opera superstars Heidi Stober, Patricia Racette and Michael Todd Simpson, along with legends of stage and screen Bill Irwin, Harriet Harris, Kirsten Wyatt and John Bolton in Francesca Zambello’s grand production. Take a look to see if you might be a perfect addition to the Cotton Blossom
Posted: 03/14/2014 by
San Francisco Opera
If there’s one thing we San Franciscans like, it’s a reason to dress up in costume. Sure, Halloween in SF is pretty epic, but we don’t need to wait until October to come up with a good excuse to get creative, put on our dancing shoes, watch some make up tutorials and put on a costume! We’ve got Bay to Breakers
for those who wish to run (or, ahem, stumble…) in costume; Pride
and the Folsom Street Fair
for those who wish to parade in costume; SF Symphony
’s Masquerade Ball for those who wish to be classy in costume. Who doesn’t know someone going to Burning Man
this year? When’s the next movie sing along at the Castro Theater
? What ever will you wear to your friend’s RuPaul’s Drag Race
viewing party? Maybe this year you’ve finally been talked into entering the Hunky Jesus
pageant on Easter. Whatever your reason—if you need one at all—dressing up is a big part of our culture here in the Bay Area and San Francisco Opera is about to give you a major leg up at your next costumed event! Our amazing costume department is culling through racks, drawers, shelves and boxes from floor to ceiling to offer up hundreds of items for sale at our Costume Shop Sale
on March 22 & 23! You do not want to miss this. Trust us.
Posted: 03/06/2014 by
San Francisco Opera
is a first-year Adler Fellow coach & pianist and hails from New York, NY. Noah was a 2013 participant in the Merola Opera Program and is a recent graduate from the Mannes College of Music. He has performed as a recitalist at Alice Tully Hall and Weill Recital Hall at Carnegie Hall. This summer he will be a member of the San Francisco Opera music staff working on both Show Boat
and Madama Butterfly
. His first assignment as an Adler Fellow was the first Schwabacher Debut Recital
of the season on February 23rd and we sat down with him shortly afterwards to hear about his experience thus far and ask some of the hard questions!
Posted: 02/27/2014 by
San Francisco Opera
We asked San Francisco Opera Center Musical Director Mark Morash to break down the process of creating the upcoming Schwabacher Debut Recital, About Love
. Want to see first hand? Be sure to mark your calendars for this Sunday, February 23 at Temple Emanu-El
in San Francisco.
Putting together a recital is a lot like putting together a meal. You look at your ingredients and try to figure out how to turn them into a delicious experience.
Posted: 02/19/2014 by
Latvian mezzo-soprano and new Adler Fellow Zanda Švēde
has had a fascinating journey from hotelier to aspiring opera singer. Zanda studied at the Latvian Academy of Music in Riga, the Manhattan Summer Voice Festival, Scuola Italia in Italy, and the Tyrulean Opera Program in Austria, and has performed such roles as Endimione in Cavalli's La Calisto
, María in Piazzolla's María de Buenos Aires
, and the title role in Massenet's Cléopâtre.
She will make her San Francisco Opera debut as Flora in La Traviata
this summer. You can also see Zanda in the first Schwabacher Debut Recital
of 2014 at Temple Emanu-El's Martin Meyer Sanctuary on Sunday, February 23 at 5:30 p.m. In this profile, Zanda discusses her process of preparing a role, her decision to pursue opera, and reflects upon differences of culture, both musical and otherwise, between Latvia and the United States.
Posted: 02/14/2014 by