Returning to San Francisco Opera is especially poignant for me. Although I had already sung some roles professionally beginning in 1972, my big debut was here on the stage of the Memorial Opera House on Sept 13, 1974 as the Maestro di Ballo to Leontyne Price's first Manon Lescaut. Back then there were no apprentice programs, Adler Fellows, or Merola. I was fortunate in that I had worked with Otto Guth, Kurt Adler's right-hand man, at Curtis Institute in Philadelphia where I was completing a post graduate opera degree. Through his recommendation I was invited to sing in San Francisco, where Mr. Adler offered me a number of wonderful roles.
Posted: 09/13/2011 by
Joseph Frank (Emperor Altoum, Turandot)
Besides reading and re-reading the book Heart of a Soldier
by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.
Posted: 09/12/2011 by
Donna Di Novelli (Librettist, Heart of a Soldier)
Today, we presented our annual Opera in the Park concert as a memorial to the victims of the 9/11 terrorist attacks. The San Francisco Opera Orchestra and Chorus, along with Music Director Nicola Luisotti and four Adler Fellow soloists performed Mozart's Requiem Mass, interspersed with meditational texts read by members of the San Francisco Interfaith Council. Included below are the various readings and prayers which were included in the event.
Posted: 09/11/2011 by
San Francisco Interfaith Council
What a beautiful Labor Day weekend it was in Napa. Susan Rescorla landed and got settled into her hotel on Sept. 4th and we started bright and early on a whirlwind Napa adventure the morning of the 5th.
Somehow, over the months that have passed since I've seen Susan and despite the fact that she experienced major damage to her home from Hurricane Irene, she has become even more fresh faced and beautiful.
Posted: 09/10/2011 by
Melody Moore (Susan Rescorla, Heart of a Soldier)
10) Be thankful that I’m working with such talented Opera Ball Co-chairs, Anne Marie Massocca and Susan Tamagni. Together with the Opera Ball Committee and SF Opera Guild professional staff, we will surely plan an incredible evening for all!
9) From a practical perspective, select a gown by June so that I don’t need to shop during the summer. Ana Castillo of Neiman Marcus makes it easy! Frances Diniz of Wellendorff’s Boutique at Shreve & Co. is a great help with accessorizing.
Posted: 09/07/2011 by
Ann Girard (S.F. Opera Guild President)