Always an exciting recital, New York Festival of Song's Steven Blier presents In the Memory Palace
this Sunday, March 30 at 5:30 p.m. at Temple Emanu-El’s Martin Meyer Sanctuary.
A part of the Schwabacher Debut Recitals, Blier will be joined on stage by current Adler Fellows soprano Maria Valdes, mezzo-soprano Zanda Švēde, tenor A.J. Glueckert and baritone Hadleigh Adams. We asked Steven to share some thoughts on the program and what exactly is a Memory Palace.
Posted: 03/28/2014 by
We asked San Francisco Opera Center Musical Director Mark Morash to break down the process of creating the upcoming Schwabacher Debut Recital, About Love
. Want to see first hand? Be sure to mark your calendars for this Sunday, February 23 at Temple Emanu-El
in San Francisco.
Putting together a recital is a lot like putting together a meal. You look at your ingredients and try to figure out how to turn them into a delicious experience.
Posted: 02/19/2014 by
Latvian mezzo-soprano and new Adler Fellow Zanda Švēde
has had a fascinating journey from hotelier to aspiring opera singer. Zanda studied at the Latvian Academy of Music in Riga, the Manhattan Summer Voice Festival, Scuola Italia in Italy, and the Tyrulean Opera Program in Austria, and has performed such roles as Endimione in Cavalli's La Calisto
, María in Piazzolla's María de Buenos Aires
, and the title role in Massenet's Cléopâtre.
She will make her San Francisco Opera debut as Flora in La Traviata
this summer. You can also see Zanda in the first Schwabacher Debut Recital
of 2014 at Temple Emanu-El's Martin Meyer Sanctuary on Sunday, February 23 at 5:30 p.m. In this profile, Zanda discusses her process of preparing a role, her decision to pursue opera, and reflects upon differences of culture, both musical and otherwise, between Latvia and the United States.
Posted: 02/14/2014 by
How would you feel if someone asked you to make a generous annual donation to the Opera, and in addition, they asked you to volunteer to serve coffee and snacks to artists and stagehands in the canteen on performance nights? Or what about if you were asked to open up a spare room or two in your home as lodging for a young artist or two? Or six? Or seven?
And what if one of these young artists was suffering from the flu, and you were asked to serve her chicken soup and Gatorade until she was recovered enough to sing on the opera house main stage – let’s say something simple, like Lìu in Turandot? And let’s say you did all these things, and on top of it, you provided sponsorship support every year for an Adler Fellow; you remembered the Opera in your estate plans by establishing a charitable remainder trust; you encouraged everyone you met to support the Opera in any way they could; and you did all of these things in loving memory and in the name of your cherished late wife?
Posted: 02/04/2014 by
San Francisco Opera
Soprano Marina Harris
is a second-year Adler Fellow. Marina made her debut at San Francisco Opera as Susan Sowerby in the world premiere of The Secret Garden
earlier this year and sang multiple roles in the world premiere of The Gospel of Mary Magdalene.
This season, she has appeared as Elena in Mephistopheles
, a maid in Dolores Claiborne
, and Berta in The Barber of Seville for Families
. Along with her fellow Adlers, Marina will be featured in The Future is Now: The Adler Fellows Gala Concert
TONIGHT, November 27, at 7:30 pm at the Scottish Rite Masonic Center. You can also catch Marina one last time as an Adler Fellow performing with the San Francisco Gay Men's Chorus in their Holiday Concert "SHINE!"
on Friday, December 6. Below, Marina answers our questions about her favorite moments as an Adler, what it's like to work on world premieres, and why she's glad to be a West Coast native.
Posted: 11/26/2013 by
San Francisco Opera